Shot | Timing (s) | Description |
1 | 5 | The villain (Jane) and victim (Jane) are seen on the bridge from outside (Establishing shot) |
2 | 5 | The Jane and Mary are seen on the bridge from inside. Jane in shown standing behind Mary (Mid-shot) |
3 | 3 | Mary is shown walking to the door, with the camera behind the door. Jane is seen behind (Mid-shot) |
4 | 10 | Mary is shown walking down the corridor (Mid-Shot) |
5 | 10 | Mary walks through the double doors towards the stairs. Jane is shown walking up to the door (Long-shot) |
6 | 10 | Mary is show walking down the stairs, she feels uneasy, so looks over her shoulder, Jane runs for cover, then shows Mary waking down (point-of-view shot) |
7 | 3 | Mary is seen walking down another flight of stairs (Camera pans – Mid- Shot) |
8 | 5 | Point-of-view shot of Jane’s view. Mary is shown walking to the door |
9 | 10 | Mary sees that the door is locked, so walks back up whilst texting someone. She trips midway and looks up (High-angle shot to mediate the audience and make her look weak) |
10 | 2 | A close-up of Mary’s face is shown |
11 | 2 | Jane is shown standing at the top of the stairs (Low-angle shot) |
12 | 15 | Point-of-view shot of Jane reaching out her hands to strangle Mary |
13 | 15 | New scene – Suzan is shown waking up, turns to pick up a photo |
14 | 2 | Point-of-view shot of the photo |
15 | 15 | Close-ups of Suzan’s face. She is shown crying and then shows anger |
16 | 25 | Suzan gets out her bed, camera follows down the stairs (Mid-shot) |
17 | 15 | Over-the-shoulder shot off Suzan walking to the kitchen, which then transforms into a point-of-view shot of the knife rack |
18 | 10 | Mid-shot from the side of Suzan. Shown taking out a knife, which then transforms into a close-up shot, still from the side |
Sunday, 1 May 2011
Shooting Script
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